Showing posts with label translation. Show all posts
Showing posts with label translation. Show all posts

Saturday, 23 February 2013

Andrea Hirata's The Rainbow Troops

“WHEN it comes to learning about Indonesia from fiction, most Australian readers won't have gone much further than Christopher Koch's 1978 novel, The Year of Living Dangerously. It is a wonderful and important book, but part of its point is that it presents an outsider's view. The Rainbow Troops, written in Indonesian and first published in 2005, is very much the view from inside: it's an autobiographical novel in which Andrea Hirata recalls his childhood on the island of Belitong, where he attended the village school.

The Rainbow Troops has become a cult novel in its own country and is the first Indonesian novel to find its way into the international general fiction market. Hirata has written three sequels, and in 2008 the first novel was made into an award-winning film.

The troops in question are the 10 children - ''Belitong-Malays from the poorest community on the island'' - who attend Muhammadiyah Elementary School: ''It, too, was the poorest, the poorest village school in Belitong.'' They are taught by the dedicated but ageing Pak Harfan and his offsider, Bu Mus, a 15-year-old girl on her first day of teaching. From this day, which is when the story starts, the school is in constant danger of being closed down, and is always being compared unfavourably with the prosperous school run by the company that owns the island's tin mines.”


Sunday, 17 February 2013

A new anthology of Thai short fiction brings out the best of 2012 in English translation

“Translation is a time-consuming, arduous and often thankless task. Literary translation also involves suppressing some natural impulses to interpret, edit and impose a personal style, while remaining in the background and allowing the tale to take root in another language.



Marcel Barang, 67, is not just a translator but active in the literary sphere, promoting the talents he feels merit it. In 12 Thai Short Stories _ 2012 he collated a dozen of last year's finest short fiction by Thai writers into an accessible and absorbing e-book. The styles and subjects are a study in contrasts, pointing to increasing depth and nuance in new Thai fiction. They are the ones, out of the hundreds Barang reads each year, that he feels stand on their own on merit.

This collection features a past SEA Write winner (Ussiri Dharmachoti) and nominee (Watn Yuangkaew), a prominent film critic (Wiwat Lertwiwatwongsa) and the 'Pink Man' poet and artist (Sompong Thawee) _ authors from the up-and-coming to the established.

Here the supernatural features prominently, with a three-eyed child, a village drowning in dog excrement, a ghost of a bygone revolution, a false pregnancy. There are also more prosaic slice-of-life pieces, with an excellent story on family funeral politics by Kajohnrit Ragsa, and on psychological disorders such as social phobia and madness. Murder also makes an appearance. In some stories, a poetic style takes precedence over narrative.

The anthology works well as a whole, but is inconclusive in terms of trends or what direction Thai fiction might be headed in 2013. In an interview, Barang told Brunch that the breadth of subject matter Thai writers work with continues to widen.”

Thursday, 3 January 2013

“Introduction / Pengantar: Crossing Bloodlines” by Deborah Cole, Cordite Poetry Review: Indonesia Special Issue

“The poems in this collection trace the overlapping cycles of the human journey from birth to death across the space/time habitat we measure in footfalls and poetic metre. Travelled in the company of family and community, our journeys enact the species’ heritage and legacy of kinship and violence – two sides of the same struggle towards a longed-for intimacy that might negate the spatial, temporal and psychological divide between the other and the self. Through commingling languages and intertwining elocutions, this issue explores the distances and intimacies between a varied set of human journeys by poets writing in Indonesia and Australia. As these two countries are so close on maps – but oftentimes, sadly, only on our maps – these poems invite the re-arrangement of our conceptual geographies.


This collection began as a conversation between Kent MacCarter and Sapardi Djoko Damono (arguably Indonesia’s best-known contemporary poet and leading literary scholar). The goal was to create a translation exchange that would showcase established poets whose work was still very much on the rise with a balanced representation of gender, ethnicity and region in each country. A second conversation between MacCarter and John McGlynn (leading translator of Indonesian literature into English and editor-in-chief of The Lontar Foundation) led to an invitation to McGlynn, poet Dorothea Rosa Herliany and me (Deborah Cole) to join the project – an invitation that we accepted enthusiastically.”


An extract from another essay in this volume was featured earlier on this site: “Notes about the INDONESIA Special Issue | Kent MacCarter ”

Sunday, 30 December 2012

Notes about the INDONESIA Special Issue | Kent MacCarter

“When I approached major Indonesian poet Sapardi Djoko Damono – godfather of that sprawling nation’s contemporary poetics and a renowned translator of English-language works into Bahasa Indonesia – about working with me on a kind of ‘translation exchange’ to then publish online and promote in our countries, he e-replied enthusiastically that ‘we must’!

But it was with a slight twinge – the kind of cogent relish fork that skewers your mood (just enough, but none too deep) when you learn your most recent great idea is not as original as its first eureka promised you – that I read further into Damono’s email to learn that he’d done exactly this back in 1991 (sans the online angle). Mendorong Jack Kuntikunti: Sepilihan Sajak Dari Australia collects one to two poems from 41 Australian poets; together, the works form an anthology with Indonesian translations published side-by-side with the English originals. Co-editor for the project was Canberra-based poet R F Brissenden. Damono sent me a well-loved copy of the book immediately (I imagine it’s well out of print).”